Person
Mestre João Grande
João Oliveira dos Santos
1933 –
Born in Itagi, Bahia, Brazil
8
- Life
- Title received
- Lineage (training, titles granted)
- Groups
- Locations
- decade or uncertain
- no end date
Dated moments of this life, from the corpus.1 undated moment is listed under Relations
- 1933Born · Itagi, Bahia, Brazil
- 1953Lived in Salvador, Bahia, Brazil · at 20
- 1953Trained in Brotas, Salvador, Bahia, Brazil · at 20
- 1953Began training with Cobrinha Verde, Barbosa, Pastinha · at 20
- 1950sTitle granted to Virgílio de Ilhéus · evidence
- 1968Title of Mestre from Pastinha · at 35 · evidence
- 1980sTaught at Grupo de Capoeira Angola Pelourinho · evidence
- 1990Taught in New York, New York, United States · at 57
14
3 teachers
Mestre Cobrinha Verde
1912 – 198324 October 1912 – 1983Mestre Pastinha
1889 – 19815 April 1889 – 13 November 1981
MestreJoão Grande
→11 students
João Oliveira dos Santos was born on January 15, 1933, in the village of Itagi in southern Bahia. As a child, he worked alongside his family in the fields as a cattle herder. His mother died when he was young, and he never attended school.
At the age of ten, he saw a movement called "corta capim" for the first time—a crouching technique where one leg swings in a circle while hopping over it with the other. Fascinated, he asked what it was called and was told it was "the Dance of the Nagos", a dance of the African descendants in Salvador.
Ten years later, at age twenty, João left his rural life and arrived in Salvador, the birthplace of capoeira. At Roca do Lobo, he witnessed his first proper capoeira roda. Present were mestres Menino Gordo, João Pequeno, Mestre Barbosa, and Cobrinha Verde—one of the most skillful players of that era. João Pequeno sent him to Mestre Pastinha, who had an academy in the Cardeal Pequeno neighborhood of Brotas.
Pastinha accepted João as a student at the relatively late age of twenty. It was Pastinha who gave him the name "João Grande" (Big John) to distinguish him from the shorter João Pequeno, who had been training with Pastinha for two years prior. Together, the two Joãos became Pastinha's "two most learned students"—the principal heirs to the Angola tradition. From Cobrinha Verde, João Grande learned the floor-touching mandinga movements that became emblematic of capoeira angola, which he later spread throughout the world.
In 1966, João Grande traveled to Dakar, Senegal, with Mestre Pastinha to demonstrate capoeira at the first World Festival of Black Arts (Festival des Arts Nègres). The delegation included Pastinha, João Grande, Gato Preto, Gildo Alfinete, Roberto Satanás, and Camafeu de Oxossi. Pastinha, suffering from vision problems, played atabaque while the others performed.
In 1968, João Grande received his diploma from Pastinha, becoming a full-fledged mestre of capoeira angola.
He subsequently toured Europe and the Middle East with Viva Bahia, a pioneering folk group directed by Emília Biancardi that performed Afro-Brazilian arts including capoeira, samba, maculelê, candomblé, and puxada da rede. In 1974, he was part of another European tour. Painter Carybé documented João Grande in his artistic documentation of African culture in Bahia.
After Pastinha's death on November 13, 1981, João Grande withdrew from the capoeira world and took a job at a gas station. He continued to perform in a limited capacity in folkloric shows for tourists.
In the mid-1980s, Mestre Moraes and Mestre Cobra Mansa persuaded him to come out of retirement. He began teaching with their organization, Grupo Capoeira Angola Pelourinho (GCAP).
In 1989, Mestre Jelon Vieira invited him to tour the United States. The tour was a tremendous success. In 1990, he performed at the National Black Arts Festival in Atlanta and at the Schomburg Center for Research in Black Culture in New York City. Ken Dossar and Daniel Dawson had invited him to Atlanta; Nego Gato invited him to teach in Harlem.
João Grande decided he liked the United States and settled in New York City in 1990. With help from Tisch Rosen (Risadinha), an English student and university professor, he established the Capoeira Angola Center on 14th Street in Manhattan. He has taught hundreds of students there—"Japanese, Germans, Africans, Americans, and women"—never needing to speak English because his students learn Portuguese for the rodas.
Today, the Capoeira Angola Center of Mestre João Grande has affiliates in Arizona, Finland, Italy, Japan, Los Angeles, Oakland, Serbia, Kenya, San Diego, and Illinois. He continues to teach at his academy in New York, holding classes and rodas with Mestre João Grande every Sunday.
At 91 years old (turning 92 in January 2025), Mestre João Grande has dedicated more than 70 years to capoeira angola. He is recognized as one of the most respected Grand Masters in the world—one of only two living grand masters of capoeira angola alongside João Pequeno's successor, Mestre Faísca.
41
16
Granted titles to1
João Grande granted the title of Contra-Mestre to Virgílio de Ilhéus1950s
João Grande granted Virgílio the contra-mestre title in the 1950s. João Grande was born in Itagi, near Ilhéus, and was known locally as "João Bate-Estaca".
Received titles from1
João Grande received the title of Mestre from Pastinha1968
João Grande was awarded his diploma of capoeira from Pastinha in 1968, making him a full-fledged mestre of capoeira angola. This was the formal recognition of his mastery after 15 years of training.
Trained under2
João Grande trained under Cobrinha Verde1953 – 1983
When João Grande arrived in Salvador in 1953, he witnessed his first roda where Cobrinha Verde was present as "one of the most skillful players of that era". Cobrinha Verde was responsible for introducing the act of touching the floor many times as if making sorcery or asking for protection—this floor-touching mandinga movement was later spread by João Grande, who had learned it from Cobrinha Verde. Cobrinha Verde also "shared the work with Mestre Pastinha, where he passed on his knowledge to his students, which included the future masters, João Grande and João Pequeno".
João Grande trained under Barbosa1953 – 1953
When João Grande arrived in Salvador at age 20, he met Mestre Barbosa at the roda at Roca do Lobo. He asked Barbosa if he could study capoeira, and Barbosa sent him to João Pequeno, who then sent him to Mestre Pastinha. This was João Grande's first contact with organized capoeira in Salvador.
Student of1
João Grande student of Pastinha1953 – 13 November 1981
João Grande joined Pastinha's academy at the Cardeal Pequeno neighborhood of Brotas in 1953 at age 20. João Pequeno had been training with Pastinha for two years prior. Pastinha named him one of "the two most learned students" alongside João Pequeno. In 1970, Pastinha prophesied: "They will be the great capoeiras of the future". Received diploma in 1968. Relationship ended with Pastinha's death Nov 13, 1981.
Verified[2][3][4]- [4]João Grande, Wikipedia, Early life / training section(accessed 2 November 2026)
Pastinha accepted João as a student at the age of twenty
- [2]NEA (reference incomplete)
- [3]Smithsonian (reference incomplete)
- [4]João Grande, Wikipedia, Early life / training section(accessed 2 November 2026)
Teacher of3
João Grande teacher of Moraes1958 –
Moraes began training at Pastinha's academy around age 8 (~1958). João Grande and João Pequeno ran the classes as Pastinha was blind. Moraes states he considers João Grande his true teacher due to the impression made by the way João Grande played capoeira.
João Grande teacher of Jorge
Jorge was trained by his father Mestre João Grande from early childhood. João Grande would wake Jorge and his brother Jurandir early in the morning to train together in their backyard, instilling a deep connection to Capoeira Angola as a way of life rooted in discipline, respect, and tradition. This represents organic, immersive transmission before the formalization of academy systems.
João Grande teacher of Jurandir Santos
Jurandir was trained by his father João Grande from early childhood. João Grande would wake Jurandir and his brother Jorge early in the morning to train together in their backyard, instilling a deep connection to Capoeira Angola as a way of life rooted in discipline, respect, and tradition. This represents organic, immersive transmission before the formalization of academy systems.
Guided the training of8
João Grande guided the training of Janja1983 –
João Grande guided the training of Laércio1984 – c. 1990
Attended João Grande's Sunday classes at Forte Santo Antônio within GCAP space. João Grande left for USA at end of 1990.
João Grande guided the training of Paulinhac. 1985 – 1990
João Grande guided the training of Cobra Mansac. 1985 –
Cobra Mansa trained with João Grande at GCAP in the mid-1980s after helping convince him to return to teaching. This training contributed to preserving the direct Pastinha lineage through the Dois Joãos.
João Grande guided the training of Polocac. 1985 – 1990
Sources describe Poloca training under "Masters João Grande, Moraes and Cobra Mansa" at GCAP.
João Grande guided the training of Marrom1990s –
Studied with João Grande as part of old guard research; João Grande listed among major Angola influences
João Grande guided the training of Caroço
João Grande guided the training of Pintor
As a teenager, Pintor traveled to Bahia and trained under João Grande among other mestres. João Grande was one of Pastinha's two most prepared students.
1
Teaches at1
João Grande teaches at Grupo de Capoeira Angola Pelourinho1980s –
Moraes and Cobra Mansa brought João Grande out of retirement in the mid-1980s, and he began to teach with GCAP. He later moved to the United States (1989 tour) and opened his own academy in New York City. Start and end dates are left open until further research establishes them; the relation has ended.
Likely[4]- [4]João Grande, Wikipedia(accessed 18 October 2026)
He began to teach with their organization Grupo Capoeira Angola Pelourinho.
- [4]João Grande, Wikipedia(accessed 18 October 2026)
22
Associated with21
João Grande was associated with Evanir1953 –
Multiple documented encounters: Evanir injured João Grande's face at Conceição da Praia (Dec 8); estranged for one year; reconciled after exhausting two-hour Carnival battle; "we became friends"
Verified[14]- [14]João Grande interview with Poloca, Sept 1, 2004 (reference incomplete), 1 September 2004
João Grande was associated with João Pequeno1953 –
João Pequeno had been training with Pastinha for two years when João Grande arrived. João Pequeno directed João Grande to Pastinha's academy. Together they became Pastinha's "two most learned students". In 1970, Pastinha declared: "They will be the great capoeiras of the future and for this I worked and fought with them and for them. They will be true masters, not improvised teachers". Both traveled to Dakar 1966 with Pastinha. When Pastinha grew blind, the two Joãos ran the academy together. João Grande was nicknamed to distinguish him from the shorter João Pequeno.
João Grande was associated with Antônio Cabeceiroc. 1953 – c. 1954
Cabeceiro and João Grande were contemporaries at Waldemar's roda in Salvador (~1953-1954). In 1956, they demonstrated capoeira together at the Festa de São Sebastião in Ilhéus alongside João Pequeno, witnessed by young Boa Gente.
Verified[15][16]- [15]Interview with Mestre João Grande, Capoeira Connection
- [16]velhosmestres.com: destaques 71
João Grande was associated with Gildo Alfinete1959 – 12 October 2015
Fellow students at CECA under Mestre Pastinha. Both were members of the historic 1966 Dakar delegation. Performed capoeira together at the First World Festival of Black Arts. Close personal and professional relationship documented through photographs spanning decades, including visits to João Grande's academy and home. Relationship ended with Gildo's death in 2015.
João Grande was associated with Cabelo Bom1950s –
João Grande described playing against Cabelo Bom at Conceição da Praia on December 8th: "I gave him a meia lua and he gave me a meia lua and I retreated and then gave him a cabeçada and he lightly gave a knee strike to my jaw". João Grande listed Cabelo Bom among the elite at Waldemar's: "There were only snakes, experts".
João Grande was associated with Roberto Satanás1960 – April 1966
Fellow students of Mestre Pastinha at CECA; both part of the delegation to Dakar 1966
João Grande was associated with Gato PretoApril 1966 –
João Grande and Gato Preto traveled together as part of the six-person Brazilian capoeira delegation to the First World Festival of Black Arts in Dakar, Senegal, April 1-24, 1966. The delegation included Pastinha, João Grande, Gato Preto, Gildo Alfinete, Roberto Satanás, and Camafeu de Oxossi. Photos show them performing together at Daniel Soreno Theatre.
João Grande was associated with Camafeu de OxóssiApril 1966 –
Both traveled as part of the Brazilian delegation to the First World Festival of Black Arts in Dakar, Senegal, April 1966.
João Grande was associated with Jair Moura1968 –
Jair Moura directed "Dança de Guerra" (1968). Some sources (including SecultBA official note) list João Grande among the masters featured, alongside Bimba and João Pequeno.
Likely[19][20]- [19]Jair Moura - CapoeiraWiki, CapoeiraWiki
- [20]SecultBA emite nota de pesar: Mestre Jair Moura (1936-2020), SecultBA, Revista Museu, 21 August 2020
João Grande was associated with Curió1968 –
Curió and João Grande were fellow disciples of Mestre Pastinha at CECA. They participated together in the 1980 First Regional Capoeira Seminar and worked alongside each other in Frede Abreu's project to bring capoeira into Salvador's municipal schools.
João Grande was associated with Jelon1974 –
Toured Europe with Viva Bahia/Viva Brasil in 1974. In 1989, invited João Grande to tour USA, catalyzing his permanent move to NYC. Recorded 1989 LP together. Both received NEA National Heritage Fellowship.
João Grande was associated with Gigante4 June 1980 – 8 June 1980
Gigante and João Grande both participated in researcher Frede Abreu's landmark "First Regional Capoeira Seminar and Festival of Capoeira Rhythms" (June 4-8, 1980 in Barris, Salvador).
João Grande was associated with Cobra Mansac. 1986 –
Cobra Mansa and Moraes found João Grande working at a gas station and convinced him to return to teaching. This happened in the mid-1980s.
João Grande was associated with Môa do Katendê5 April 1987 –
João Grande was part of the evaluation panel (alongside João Pequeno, Vermelho, and Dona Romélia) that graduated Môa do Katendê as mestre on April 5, 1987.
João Grande was associated with Rafael Flores1988 –
In 1988, Rafael organized a historic capoeira meeting in Santa Luzia do Norte, Espírito Santo. João Grande participated alongside nearly all of Grupo Senzala, plus Mestres Leopoldina and João Pequeno—a remarkable convergence of Rio and Bahian capoeira traditions.
Verified[26][27]- [26]capoeira.fandom.com: centro cultural senzala
- [27]agitaeco.com.br obituary (reference incomplete)
João Grande was associated with Virgílio da Fazenda Grande30 July 1988 –
Both named in article "A resistência da capoeira" as among eight surviving great master-angoleiros
João Grande was associated with Bobô1989 –
Recorded LP "Capoeira: Afro-Brazilian Art Form" with Mestre Jelon Vieira (1989), featuring João Grande and João Pequeno. Both were listed among the eight surviving "great master-angoleiros" in the 1988 Tribuna da Bahia article.
João Grande was associated with Olavo20 August 1989 –
Historic photograph on August 20, 1989, at Itapoan's house celebrating the birthdays of Mestres Itapoan and Paulo dos Anjos. Both Olavo and João Grande played berimbau.
João Grande was associated with National Black Arts FestivalDate unknown
Unverified[31]- [31]Mestre João Grande – NEA National Heritage Fellow, National Endowment for the Arts(accessed 5 October 2026)
performing in the United States at the National Black Arts Festival, he settled in New York City in 1990
- [31]Mestre João Grande – NEA National Heritage Fellow, National Endowment for the Arts(accessed 5 October 2026)
João Grande was associated with Caiçara
Photographed with João Grande at capoeira events. Both were major figures in the Salvador Angola capoeira scene.
João Grande was associated with Camisa Roxa
Photographed together at capoeira events. Both are major figures in capoeira history.
Influenced1
João Grande influenced Suassuna1950s –
João Grande (João Batestaca), disciple of Pastinha, influenced the development of Suassuna's famous Miudinho game - a closed angola game played close.
2
Family2
Jorge is a child of João Grande
Jorge is one of six sons of Mestre João Grande. He and his brother Jurandir trained together from early childhood in backyard sessions with their father.
Jurandir Santos is a child of João Grande
Jurandir Souza dos Santos is the son of Mestre João Grande (João Oliveira dos Santos). Multiple sources confirm this biological relationship, including the documentary "Mestre Pastinha, Rei da Capoeira" (2019) and academic research on CECA hierarchical structures.
6
Lived in: Salvador, Bahia, Brazil
1953 –
Trained in: Brotas, Salvador, Bahia, Brazil
1953 –
Taught in: New York, New York, United States
1990 –
[33]- [33]joaogrande.org(accessed 18 October 2026)
Taught in: Harlem, Manhattan, New York, United States
period not recorded
[34]- [34]dendearts.com: honoring mestre joao grande(accessed 18 October 2026)
Visited: Salvador, Bahia, Brazil
1953 –
Visited: East Orange, New Jersey, United States
1995 –
- 41
- statements
- 32
- · 78%
- with a source
- 9
- without a source
- 0
- disputed
Relations by confidence
- Verified: 34
- Likely: 6
- Unverified: 1
Sources cited
- [1]velhosmestres.com: featured 48 ×1cited 1 time
- [2]NEA ×3cited 3 times
- [3]Smithsonian ×4cited 4 times
- [4]João Grande, Wikipedia ×4cited 4 times
- [5]capoeira.online: mestre moraes ×1cited 1 time
- [6]lalaue.com: mestre moraes ×1cited 1 time
- [7]capoeirahub.net: mestres ×2cited 2 times
- [8]mandingueira.ca: ie viva meu mestra part 5 mestra janja ×1cited 1 time
- [9]nossa-tribo.com: mestra janja ×1cited 1 time
- [10]filhosdeangola.eu: biografie ×1cited 1 time
- [11]nzinga-marburg.com: mestras e mestres ×2cited 2 times
- [12]helloasso.com: mestre marrom contra mestre tatiana en france ×1cited 1 time
- [13]taylorsbantus.wordpress.com: mestre pintor ×1cited 1 time
- [14]João Grande interview with Poloca, Sept 1, 2004 ×1cited 1 time
- [15]Interview with Mestre João Grande, Capoeira Connection ×2cited 2 times
- [16]velhosmestres.com: destaques 71 ×1cited 1 time
- [17]velhosmestres.com: destaques 22 ×1cited 1 time
- [18]Pastinha 1966, velhosmestres.com ×2cited 2 times
- [19]Jair Moura - CapoeiraWiki, CapoeiraWiki ×1cited 1 time
- [20]SecultBA emite nota de pesar: Mestre Jair Moura (1936-2020), SecultBA, Revista Museu ×1cited 1 time
- [21]Mestre Curió, Velhos Mestres ×1cited 1 time
- [22]festival.si.edu: smithsonian ×1cited 1 time
- [23]velhosmestres.com: featured 22 ×2cited 2 times
- [24]I Regional Capoeira Seminar / Festival of Capoeira Rhythms, 4-8 June 1980, Barris, Salvador, Velhos Mestres ×1cited 1 time
- [25]dicionariompb.com.br: moa do katende ×1cited 1 time
- [26]capoeira.fandom.com: centro cultural senzala ×1cited 1 time
- [27]agitaeco.com.br obituary ×1cited 1 time
- [28]Caderno de Cultura, Tribuna da Bahia ×1cited 1 time
- [29]velhosmestres.com: featured 6 ×1cited 1 time
- [30]velhosmestres.com: waldemar 1989 ×1cited 1 time
- [31]Mestre João Grande – NEA National Heritage Fellow, National Endowment for the Arts ×1cited 1 time
- [32]velhosmestres.com: destaques 27 ×1cited 1 time
- [33]joaogrande.org ×1cited 1 time
- [34]dendearts.com: honoring mestre joao grande ×1cited 1 time